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A critical hit and audience favorite out of the Sundance Film Festival, in DOPE, Malcolm (Shameik Moore) is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. (C) Open Road
About Dope
Artist : Shameik Moore, Tony Revolori, Kiersey ClemonsAs : Dom, Will Sherwood, Mr Bailey
Title : ✪WATCH✪ Dope Online Gratis Leech
Release date : 2015-06-19
Movie Code : 3850214
Duration : 115
Category : Comedy, Drama
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Screen Of Dope
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The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.
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In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.
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"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.
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Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.
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Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.
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If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.
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Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.
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It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.
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"Dope" is funny, slick and sharp.
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Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.
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A fantastical, slight, and occasionally fun, hip hop-scored romp.
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It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.
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A freewheeling comedy about sex, drugs and identity politics.
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"Dope" is the bomb.
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"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.
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"Dope" may be the perfect movie for the summer of 2015.
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Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.
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The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.
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The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.
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A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.
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Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.
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As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.
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While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.
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Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.
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This vibrant film is a bit of a mess, but it's a beautiful one.
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Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.
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When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.
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Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.
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The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.
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The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.
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Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.
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A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.
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Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.
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